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    <title>Audio on Guillaume Barrette</title>
    <link>https://guillaumebarrette.com/tags/audio/</link>
    <description>Recent content in Audio on Guillaume Barrette</description>
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    <item>
      <title>SyncFrame - Documentation</title>
      <link>https://guillaumebarrette.com/docs/syncframe/</link>
      <pubDate>Fri, 19 Jul 2019 00:00:00 +0000</pubDate>
      
      <guid>https://guillaumebarrette.com/docs/syncframe/</guid>
      <description>







&lt;figure&gt;

&lt;img src=&#34;https://guillaumebarrette.com/apps/syncframe/featured.png&#34; alt=&#34;SyncFrame Icon&#34; width=&#34;20%&#34; &gt;


&lt;/figure&gt;


&lt;h2 id=&#34;flexibility&#34;&gt;Flexibility&lt;/h2&gt;

&lt;p&gt;This feature can be used for publishing content such as:&lt;/p&gt;

&lt;ul&gt;
&lt;li&gt;&lt;strong&gt;Online courses&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Project or software documentation&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Tutorials&lt;/strong&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;The &lt;code&gt;courses&lt;/code&gt; folder may be renamed. For example, we can rename it to &lt;code&gt;docs&lt;/code&gt; for software/project documentation or &lt;code&gt;tutorials&lt;/code&gt; for creating an online course.&lt;/p&gt;

&lt;h2 id=&#34;delete-tutorials&#34;&gt;Delete tutorials&lt;/h2&gt;

&lt;p&gt;&lt;strong&gt;To remove these pages, delete the &lt;code&gt;courses&lt;/code&gt; folder and see below to delete the associated menu link.&lt;/strong&gt;&lt;/p&gt;

&lt;h2 id=&#34;update-site-menu&#34;&gt;Update site menu&lt;/h2&gt;

&lt;p&gt;After renaming or deleting the &lt;code&gt;courses&lt;/code&gt; folder, you may wish to update any &lt;code&gt;[[main]]&lt;/code&gt; menu links to it by editing your menu configuration at &lt;code&gt;config/_default/menus.toml&lt;/code&gt;.&lt;/p&gt;

&lt;p&gt;For example, if you delete this folder, you can remove the following from your menu configuration:&lt;/p&gt;

&lt;pre&gt;&lt;code class=&#34;language-toml&#34;&gt;[[main]]
  name = &amp;quot;Courses&amp;quot;
  url = &amp;quot;courses/&amp;quot;
  weight = 50
&lt;/code&gt;&lt;/pre&gt;

&lt;p&gt;Or, if you are creating a software documentation site, you can rename the &lt;code&gt;courses&lt;/code&gt; folder to &lt;code&gt;docs&lt;/code&gt; and update the associated &lt;em&gt;Courses&lt;/em&gt; menu configuration to:&lt;/p&gt;

&lt;pre&gt;&lt;code class=&#34;language-toml&#34;&gt;[[main]]
  name = &amp;quot;Docs&amp;quot;
  url = &amp;quot;docs/&amp;quot;
  weight = 50
&lt;/code&gt;&lt;/pre&gt;

&lt;h2 id=&#34;update-the-docs-menu&#34;&gt;Update the docs menu&lt;/h2&gt;

&lt;p&gt;If you use the &lt;em&gt;docs&lt;/em&gt; layout, note that the name of the menu in the front matter should be in the form &lt;code&gt;[menu.X]&lt;/code&gt; where &lt;code&gt;X&lt;/code&gt; is the folder name. Hence, if you rename the &lt;code&gt;courses/example/&lt;/code&gt; folder, you should also rename the menu definitions in the front matter of files within &lt;code&gt;courses/example/&lt;/code&gt; from &lt;code&gt;[menu.example]&lt;/code&gt; to &lt;code&gt;[menu.&amp;lt;NewFolderName&amp;gt;]&lt;/code&gt;.&lt;/p&gt;
</description>
    </item>
    
    <item>
      <title>Compositions</title>
      <link>https://guillaumebarrette.com/music/compositions2/compositions/</link>
      <pubDate>Mon, 24 Jun 2019 00:00:00 +0100</pubDate>
      
      <guid>https://guillaumebarrette.com/music/compositions2/compositions/</guid>
      <description>

&lt;!-- ## Table of Content

- [Mix Music](#mix-music)
    + [Play](#play)
    + [Résurgence](#résurgence)
    + [A.Guli](#a-guli)
- [Acousmatic Music](#acousmatic-music)
    + [Parasite](#parasite)
    + [Pulsation Symbiotique](#pulsation-symbiotique)
    + [Syncrétisme](#syncrétisme)
- [Instrumentale Music](#instrumentale-music)
    + [Agencement Tumultueux](#agencement-tumultueux)
 --&gt;

&lt;h2 id=&#34;mix-music&#34;&gt;Mix Music&lt;/h2&gt;

&lt;h3 id=&#34;play&#34;&gt;Play&lt;/h3&gt;

&lt;!-- Type: Mix music --&gt;

&lt;p&gt;Play is mainly an improvisation based on the experimentation with different sound generation and capture systems that I developed for my hyper guitar. I started the building of this guitar during the summer of 2011 to have a unique tool for playing and providing new compositional possibilities. I developed a hexaphonic sustainer system as well as one to capture the body of the instrument and the strings individually. This piece is a search on new timbres and sounds by exploring new playing techniques. Every sounds you hear is produced by the instrument and some live processing algorithms; no triggering of samples or playback track.&lt;/p&gt;

&lt;p&gt;Concert: Live at CIRMMT - Montreal - February 2013&lt;/p&gt;

&lt;div style=&#34;padding:56.25% 0 0 0;position:relative;&#34;&gt;&lt;iframe src=&#34;https://player.vimeo.com/video/60663530?portrait=0&#34; style=&#34;position:absolute;top:0;left:0;width:100%;height:100%;&#34; frameborder=&#34;0&#34; allow=&#34;autoplay; fullscreen&#34; allowfullscreen&gt;&lt;/iframe&gt;&lt;/div&gt;

&lt;!-- ### Résurgence (2012) --&gt;

&lt;h3 id=&#34;résurgence&#34;&gt;Résurgence&lt;/h3&gt;

&lt;!-- Type: Mix music --&gt;

&lt;h3 id=&#34;a-guli&#34;&gt;A.Guli&lt;/h3&gt;

&lt;!-- Type: Mix music --&gt;

&lt;p&gt;Interactive composition with my acoustic guitar (2010). All the sounds is made live by transforming the sound of the guitar with a custom Max/MSP patch. The patch is also used to make a live spacialization by using algorithms or sensor (here, only algorithms since my Ipod Touch is broken).&lt;/p&gt;

&lt;p&gt;The piece is mainly made out of a directed improvisation, meaning that the form and atmospheres are established, but the parts are improvised around some ideas.&lt;/p&gt;

&lt;p&gt;Composition made for an 8 channels system, so here is a stereo rendition.&lt;/p&gt;

&lt;div style=&#34;padding:55% 0 0 0;position:relative;&#34;&gt;&lt;iframe src=&#34;https://player.vimeo.com/video/20613403?portrait=0&#34; style=&#34;position:absolute;top:0;left:0;width:100%;height:100%;&#34; frameborder=&#34;0&#34; allow=&#34;autoplay; fullscreen&#34; allowfullscreen&gt;&lt;/iframe&gt;&lt;/div&gt;

&lt;h2 id=&#34;acousmatic-music&#34;&gt;Acousmatic Music&lt;/h2&gt;

&lt;h3 id=&#34;parasite&#34;&gt;Parasite&lt;/h3&gt;

&lt;!-- Type: Acousmatic --&gt;

&lt;iframe width=&#34;100%&#34; height=&#34;166&#34; scrolling=&#34;no&#34; frameborder=&#34;no&#34; allow=&#34;autoplay&#34; src=&#34;https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/15371064%3Fsecret_token%3Ds-Vepns&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&#34;&gt;&lt;/iframe&gt;

&lt;!-- ### Pulsation Symbiotique (2009) --&gt;

&lt;h3 id=&#34;pulsation-symbiotique&#34;&gt;Pulsation Symbiotique&lt;/h3&gt;

&lt;!-- Type: Acousmatic --&gt;

&lt;iframe width=&#34;100%&#34; height=&#34;166&#34; scrolling=&#34;no&#34; frameborder=&#34;no&#34; allow=&#34;autoplay&#34; src=&#34;https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/10083391%3Fsecret_token%3Ds-BKLjt&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&#34;&gt;&lt;/iframe&gt;

&lt;!-- ### Syncrétisme (2009) --&gt;

&lt;h3 id=&#34;syncrétisme&#34;&gt;Syncrétisme&lt;/h3&gt;

&lt;!-- Type: Acousmatic --&gt;

&lt;iframe width=&#34;100%&#34; height=&#34;166&#34; scrolling=&#34;no&#34; frameborder=&#34;no&#34; allow=&#34;autoplay&#34; src=&#34;https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/10083547%3Fsecret_token%3Ds-Rwb1j&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&#34;&gt;&lt;/iframe&gt;

&lt;h2 id=&#34;instrumentale-music&#34;&gt;Instrumentale Music&lt;/h2&gt;

&lt;h3 id=&#34;agencement-tumultueux&#34;&gt;Agencement Tumultueux&lt;/h3&gt;

&lt;!-- Type: Instrumentale --&gt;

&lt;iframe width=&#34;100%&#34; height=&#34;166&#34; scrolling=&#34;no&#34; frameborder=&#34;no&#34; allow=&#34;autoplay&#34; src=&#34;https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/10083472%3Fsecret_token%3Ds-4Kr0j&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&#34;&gt;&lt;/iframe&gt;

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</description>
    </item>
    
    <item>
      <title>Compositions</title>
      <link>https://guillaumebarrette.com/music/compositions/</link>
      <pubDate>Wed, 10 Jul 2019 00:00:00 +0000</pubDate>
      
      <guid>https://guillaumebarrette.com/music/compositions/</guid>
      <description>

&lt;h2 id=&#34;table-of-content&#34;&gt;Table of Content&lt;/h2&gt;

&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;#mix-music&#34;&gt;Mix Music&lt;/a&gt;

&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;#play&#34;&gt;Play&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;#résurgence&#34;&gt;Résurgence&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;#a-guli&#34;&gt;A.Guli&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;#acousmatic-music&#34;&gt;Acousmatic Music&lt;/a&gt;

&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;#parasite&#34;&gt;Parasite&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;#pulsation-symbiotique&#34;&gt;Pulsation Symbiotique&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;#syncrétisme&#34;&gt;Syncrétisme&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;#instrumentale-music&#34;&gt;Instrumentale Music&lt;/a&gt;

&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;#agencement-tumultueux&#34;&gt;Agencement Tumultueux&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;h2 id=&#34;mix-music&#34;&gt;Mix Music&lt;/h2&gt;

&lt;h3 id=&#34;play&#34;&gt;Play&lt;/h3&gt;

&lt;!-- Type: Mix music --&gt;

&lt;p&gt;Play is mainly an improvisation based on the experimentation with different sound generation and capture systems that I developed for my hyper guitar. I started the building of this guitar during the summer of 2011 to have a unique tool for playing and providing new compositional possibilities. I developed a hexaphonic sustainer system as well as one to capture the body of the instrument and the strings individually. This piece is a search on new timbres and sounds by exploring new playing techniques. Every sounds you hear is produced by the instrument and some live processing algorithms; no triggering of samples or playback track.&lt;/p&gt;

&lt;p&gt;Concert: Live at CIRMMT - Montreal - February 2013&lt;/p&gt;

&lt;div style=&#34;padding:56.25% 0 0 0;position:relative;&#34;&gt;&lt;iframe src=&#34;https://player.vimeo.com/video/60663530?portrait=0&#34; style=&#34;position:absolute;top:0;left:0;width:100%;height:100%;&#34; frameborder=&#34;0&#34; allow=&#34;autoplay; fullscreen&#34; allowfullscreen&gt;&lt;/iframe&gt;&lt;/div&gt;

&lt;!-- ### Résurgence (2012) --&gt;

&lt;h3 id=&#34;résurgence&#34;&gt;Résurgence&lt;/h3&gt;

&lt;!-- Type: Mix music --&gt;

&lt;h3 id=&#34;a-guli&#34;&gt;A.Guli&lt;/h3&gt;

&lt;!-- Type: Mix music --&gt;

&lt;p&gt;Interactive composition with my acoustic guitar (2010). All the sounds is made live by transforming the sound of the guitar with a custom Max/MSP patch. The patch is also used to make a live spacialization by using algorithms or sensor (here, only algorithms since my Ipod Touch is broken).&lt;/p&gt;

&lt;p&gt;The piece is mainly made out of a directed improvisation, meaning that the form and atmospheres are established, but the parts are improvised around some ideas.&lt;/p&gt;

&lt;p&gt;Composition made for an 8 channels system, so here is a stereo rendition.&lt;/p&gt;

&lt;div style=&#34;padding:55% 0 0 0;position:relative;&#34;&gt;&lt;iframe src=&#34;https://player.vimeo.com/video/20613403?portrait=0&#34; style=&#34;position:absolute;top:0;left:0;width:100%;height:100%;&#34; frameborder=&#34;0&#34; allow=&#34;autoplay; fullscreen&#34; allowfullscreen&gt;&lt;/iframe&gt;&lt;/div&gt;

&lt;h2 id=&#34;acousmatic-music&#34;&gt;Acousmatic Music&lt;/h2&gt;

&lt;h3 id=&#34;parasite&#34;&gt;Parasite&lt;/h3&gt;

&lt;!-- Type: Acousmatic --&gt;

&lt;iframe width=&#34;100%&#34; height=&#34;166&#34; scrolling=&#34;no&#34; frameborder=&#34;no&#34; allow=&#34;autoplay&#34; src=&#34;https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/15371064%3Fsecret_token%3Ds-Vepns&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&#34;&gt;&lt;/iframe&gt;

&lt;!-- ### Pulsation Symbiotique (2009) --&gt;

&lt;h3 id=&#34;pulsation-symbiotique&#34;&gt;Pulsation Symbiotique&lt;/h3&gt;

&lt;!-- Type: Acousmatic --&gt;

&lt;iframe width=&#34;100%&#34; height=&#34;166&#34; scrolling=&#34;no&#34; frameborder=&#34;no&#34; allow=&#34;autoplay&#34; src=&#34;https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/10083391%3Fsecret_token%3Ds-BKLjt&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&#34;&gt;&lt;/iframe&gt;

&lt;!-- ### Syncrétisme (2009) --&gt;

&lt;h3 id=&#34;syncrétisme&#34;&gt;Syncrétisme&lt;/h3&gt;

&lt;!-- Type: Acousmatic --&gt;

&lt;iframe width=&#34;100%&#34; height=&#34;166&#34; scrolling=&#34;no&#34; frameborder=&#34;no&#34; allow=&#34;autoplay&#34; src=&#34;https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/10083547%3Fsecret_token%3Ds-Rwb1j&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&#34;&gt;&lt;/iframe&gt;

&lt;h2 id=&#34;instrumentale-music&#34;&gt;Instrumentale Music&lt;/h2&gt;

&lt;h3 id=&#34;agencement-tumultueux&#34;&gt;Agencement Tumultueux&lt;/h3&gt;

&lt;!-- Type: Instrumentale --&gt;

&lt;iframe width=&#34;100%&#34; height=&#34;166&#34; scrolling=&#34;no&#34; frameborder=&#34;no&#34; allow=&#34;autoplay&#34; src=&#34;https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/10083472%3Fsecret_token%3Ds-4Kr0j&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&#34;&gt;&lt;/iframe&gt;

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</description>
    </item>
    
    <item>
      <title>Musical Compositions</title>
      <link>https://guillaumebarrette.com/music/</link>
      <pubDate>Wed, 10 Jul 2019 00:00:00 +0000</pubDate>
      
      <guid>https://guillaumebarrette.com/music/</guid>
      <description>

&lt;h2 id=&#34;mix-music&#34;&gt;Mix Music&lt;/h2&gt;

&lt;h3 id=&#34;play&#34;&gt;Play&lt;/h3&gt;

&lt;!-- Type: Mix music --&gt;

&lt;p&gt;Play is mainly an improvisation based on the experimentation with different sound generation and capture systems that I developed for my hyper guitar. I started the building of this guitar during the summer of 2011 to have a unique tool for playing and providing new compositional possibilities. I developed a hexaphonic sustainer system as well as one to capture the body of the instrument and the strings individually. This piece is a search on new timbres and sounds by exploring new playing techniques. Every sounds you hear is produced by the instrument and some live processing algorithms; no triggering of samples or playback track.&lt;/p&gt;

&lt;p&gt;Concert: Live at CIRMMT - Montreal - February 2013&lt;/p&gt;

&lt;div style=&#34;padding:56.25% 0 0 0;position:relative;&#34;&gt;&lt;iframe src=&#34;https://player.vimeo.com/video/60663530?portrait=0&#34; style=&#34;position:absolute;top:0;left:0;width:100%;height:100%;&#34; frameborder=&#34;0&#34; allow=&#34;autoplay; fullscreen&#34; allowfullscreen&gt;&lt;/iframe&gt;&lt;/div&gt;

&lt;!-- ### Résurgence (2012) --&gt;

&lt;h3 id=&#34;résurgence&#34;&gt;Résurgence&lt;/h3&gt;

&lt;!-- Type: Mix music --&gt;

&lt;!-- https://econtact.ca/17_1/sounds/16680_barrett_resurgen.mp3 --&gt;

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&lt;p&gt;Composed at the beginning of my master&amp;rsquo;s degree in electroacoustic composition, Résurgence is a piece combining guitar, real-time processing and tape. It was formed by the combination of acousmatic composition and my guitar playing, experimenting in different ways to generate sounds by the entire body of the instrument in order to incorporate, thereafter, different sensors. It is part of my on-going research into the development of an augmented guitar for compositional works I have been working on throughout my master&amp;rsquo;s degree.&lt;/p&gt;


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&lt;h3 id=&#34;a-guli&#34;&gt;A.Guli&lt;/h3&gt;

&lt;!-- Type: Mix music --&gt;

&lt;p&gt;Interactive composition with my acoustic guitar (2010). All the sounds is made live by transforming the sound of the guitar with a custom Max/MSP patch. The patch is also used to make a live spacialization by using algorithms or sensor (here, only algorithms since my Ipod Touch is broken).&lt;/p&gt;

&lt;p&gt;The piece is mainly made out of a directed improvisation, meaning that the form and atmospheres are established, but the parts are improvised around some ideas.&lt;/p&gt;

&lt;p&gt;Composition made for an 8 channels system, so here is a stereo rendition.&lt;/p&gt;

&lt;div style=&#34;padding:55% 0 0 0;position:relative;&#34;&gt;&lt;iframe src=&#34;https://player.vimeo.com/video/20613403?portrait=0&#34; style=&#34;position:absolute;top:0;left:0;width:100%;height:100%;&#34; frameborder=&#34;0&#34; allow=&#34;autoplay; fullscreen&#34; allowfullscreen&gt;&lt;/iframe&gt;&lt;/div&gt;

&lt;h2 id=&#34;acousmatic-music&#34;&gt;Acousmatic Music&lt;/h2&gt;

&lt;h3 id=&#34;parasite&#34;&gt;Parasite&lt;/h3&gt;

&lt;!-- Type: Acousmatic --&gt;

&lt;p&gt;Parasite is an acousmatic work that uses the sounds of my daily life in recent years. My interest in the guitar and instruments used in traditional music is apparent in the work, as is my appreciation of sounds created synthetically, electronically. During a trip to England in Fall 2010 I learned how to build small analogue synthesizers and discovered that by using the resistance of the human body as a controller, striking and unexpected sounds can be generated. I explored with enthusiasm the potential for this interface to create sounds having a quasi aleatoric character and decided to record a number of excerpts to play with and incorporate in this piece.&lt;/p&gt;

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&lt;!-- ### Pulsation Symbiotique (2009) --&gt;

&lt;h3 id=&#34;pulsation-symbiotique&#34;&gt;Pulsation Symbiotique&lt;/h3&gt;

&lt;!-- Type: Acousmatic --&gt;

&lt;p&gt;Pulsation symbiotique est la deuxième oeuvre basée sur l’idée de générer une pièce électroacoustique entièrement conçue à partir de sources sonores de nature instrumentale. Cette composition, située aux limites du monde instrumental et de l’électroacoustique, est un jeu continu entre la recherche de timbres sonores, de mélodies et de motifs rythmiques. C’est une fusion des genres; autant du point de vue de la composition que de l’instrumentation. Elle comprend des instruments tels le violon, la flûte, le saxophone, le piano, la trompette, le gangsa, l’ugal, le djembé… tous associés, fusionnés ou modifiés à l’aide des techniques de manipulation sonore.&lt;/p&gt;

&lt;iframe width=&#34;100%&#34; height=&#34;166&#34; scrolling=&#34;no&#34; frameborder=&#34;no&#34; allow=&#34;autoplay&#34; src=&#34;https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/10083391%3Fsecret_token%3Ds-BKLjt&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&#34;&gt;&lt;/iframe&gt;

&lt;!-- ### Syncrétisme (2009) --&gt;

&lt;h3 id=&#34;syncrétisme&#34;&gt;Syncrétisme&lt;/h3&gt;

&lt;!-- Type: Acousmatic --&gt;

&lt;p&gt;Syncrétisme is entirely based on sound sources from acoustic instruments such as saxophone, violin, piano, gangsa and ugal… This work situates itself at the border of instrumental and electroacoustic world with the intention of transforming those characterized sources into something new by using the numerous possibilities of sound manipulation. In addition to combine instrumental with electroacoustic, this composition merges instruments that are rarely put together like, for example, instruments of occidental classical traditions with Balinese instruments (Gamelan). Syncrétisme is a world in constant alternation between reality and illusion…&lt;/p&gt;

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&lt;h2 id=&#34;instrumentale-music&#34;&gt;Instrumentale Music&lt;/h2&gt;

&lt;h3 id=&#34;agencement-tumultueux&#34;&gt;Agencement Tumultueux&lt;/h3&gt;

&lt;!-- Type: Instrumentale --&gt;

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</description>
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    <item>
      <title>Musical Compositions</title>
      <link>https://guillaumebarrette.com/music/compositions2/</link>
      <pubDate>Wed, 10 Jul 2019 00:00:00 +0000</pubDate>
      
      <guid>https://guillaumebarrette.com/music/compositions2/</guid>
      <description>

&lt;h2 id=&#34;mix-music&#34;&gt;Mix Music&lt;/h2&gt;

&lt;h3 id=&#34;play&#34;&gt;Play&lt;/h3&gt;

&lt;!-- Type: Mix music --&gt;

&lt;p&gt;Play is mainly an improvisation based on the experimentation with different sound generation and capture systems that I developed for my hyper guitar. I started the building of this guitar during the summer of 2011 to have a unique tool for playing and providing new compositional possibilities. I developed a hexaphonic sustainer system as well as one to capture the body of the instrument and the strings individually. This piece is a search on new timbres and sounds by exploring new playing techniques. Every sounds you hear is produced by the instrument and some live processing algorithms; no triggering of samples or playback track.&lt;/p&gt;

&lt;p&gt;Concert: Live at CIRMMT - Montreal - February 2013&lt;/p&gt;

&lt;div style=&#34;padding:56.25% 0 0 0;position:relative;&#34;&gt;&lt;iframe src=&#34;https://player.vimeo.com/video/60663530?portrait=0&#34; style=&#34;position:absolute;top:0;left:0;width:100%;height:100%;&#34; frameborder=&#34;0&#34; allow=&#34;autoplay; fullscreen&#34; allowfullscreen&gt;&lt;/iframe&gt;&lt;/div&gt;

&lt;!-- ### Résurgence (2012) --&gt;

&lt;h3 id=&#34;résurgence&#34;&gt;Résurgence&lt;/h3&gt;

&lt;!-- Type: Mix music --&gt;

&lt;h3 id=&#34;a-guli&#34;&gt;A.Guli&lt;/h3&gt;

&lt;!-- Type: Mix music --&gt;

&lt;p&gt;Interactive composition with my acoustic guitar (2010). All the sounds is made live by transforming the sound of the guitar with a custom Max/MSP patch. The patch is also used to make a live spacialization by using algorithms or sensor (here, only algorithms since my Ipod Touch is broken).&lt;/p&gt;

&lt;p&gt;The piece is mainly made out of a directed improvisation, meaning that the form and atmospheres are established, but the parts are improvised around some ideas.&lt;/p&gt;

&lt;p&gt;Composition made for an 8 channels system, so here is a stereo rendition.&lt;/p&gt;

&lt;div style=&#34;padding:55% 0 0 0;position:relative;&#34;&gt;&lt;iframe src=&#34;https://player.vimeo.com/video/20613403?portrait=0&#34; style=&#34;position:absolute;top:0;left:0;width:100%;height:100%;&#34; frameborder=&#34;0&#34; allow=&#34;autoplay; fullscreen&#34; allowfullscreen&gt;&lt;/iframe&gt;&lt;/div&gt;

&lt;h2 id=&#34;acousmatic-music&#34;&gt;Acousmatic Music&lt;/h2&gt;

&lt;h3 id=&#34;parasite&#34;&gt;Parasite&lt;/h3&gt;

&lt;!-- Type: Acousmatic --&gt;

&lt;iframe width=&#34;100%&#34; height=&#34;166&#34; scrolling=&#34;no&#34; frameborder=&#34;no&#34; allow=&#34;autoplay&#34; src=&#34;https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/15371064%3Fsecret_token%3Ds-Vepns&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&#34;&gt;&lt;/iframe&gt;

&lt;!-- ### Pulsation Symbiotique (2009) --&gt;

&lt;h3 id=&#34;pulsation-symbiotique&#34;&gt;Pulsation Symbiotique&lt;/h3&gt;

&lt;!-- Type: Acousmatic --&gt;

&lt;iframe width=&#34;100%&#34; height=&#34;166&#34; scrolling=&#34;no&#34; frameborder=&#34;no&#34; allow=&#34;autoplay&#34; src=&#34;https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/10083391%3Fsecret_token%3Ds-BKLjt&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&#34;&gt;&lt;/iframe&gt;

&lt;!-- ### Syncrétisme (2009) --&gt;

&lt;h3 id=&#34;syncrétisme&#34;&gt;Syncrétisme&lt;/h3&gt;

&lt;!-- Type: Acousmatic --&gt;

&lt;iframe width=&#34;100%&#34; height=&#34;166&#34; scrolling=&#34;no&#34; frameborder=&#34;no&#34; allow=&#34;autoplay&#34; src=&#34;https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/10083547%3Fsecret_token%3Ds-Rwb1j&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&#34;&gt;&lt;/iframe&gt;

&lt;h2 id=&#34;instrumentale-music&#34;&gt;Instrumentale Music&lt;/h2&gt;

&lt;h3 id=&#34;agencement-tumultueux&#34;&gt;Agencement Tumultueux&lt;/h3&gt;

&lt;!-- Type: Instrumentale --&gt;

&lt;iframe width=&#34;100%&#34; height=&#34;166&#34; scrolling=&#34;no&#34; frameborder=&#34;no&#34; allow=&#34;autoplay&#34; src=&#34;https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/10083472%3Fsecret_token%3Ds-4Kr0j&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&#34;&gt;&lt;/iframe&gt;

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</description>
    </item>
    
    <item>
      <title>SyncFrame</title>
      <link>https://guillaumebarrette.com/apps/syncframe/</link>
      <pubDate>Wed, 10 Jul 2019 00:00:00 +0000</pubDate>
      
      <guid>https://guillaumebarrette.com/apps/syncframe/</guid>
      <description>&lt;p&gt;SyncFrame is an application to sync video playback on multiple devices. It is especially suited as a contemporary musical scores player.&lt;/p&gt;

&lt;!-- &lt;i class=&#34;fas fa-book&#34;&gt;&lt;/i&gt;&amp;emsp; [Documentation](./docs) --&gt;
</description>
    </item>
    
    <item>
      <title>SyncFrame</title>
      <link>https://guillaumebarrette.com/project-bk/syncframe/</link>
      <pubDate>Wed, 10 Jul 2019 00:00:00 +0000</pubDate>
      
      <guid>https://guillaumebarrette.com/project-bk/syncframe/</guid>
      <description>&lt;p&gt;SyncFrame is an application to sync video playback on multiple devices. It is especially suited as a contemporary musical scores player.&lt;/p&gt;
</description>
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